Saturday, September 7, 2024

CREATIVE NONFICTION

Ritah Tumushabe | Sacred Threads: A Personal Journey of Faith and Loss

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Today, I have decided to retire my rosary. This...

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

0
I                                        Childhood; first imprints The bell rings, marking the end...

An Ant hefting her Penance: Non-fiction by Aremu Adams Adebisi

3
I watched intensely as an ant was hefting her...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

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The shoes on my feet have seen three generations...

Dismas Okombo | Home

2
for S.O. You still listen to the same Ohangla music...

Nzube Nlebedim: The Newcomer into America is Uncertain

0
The newcomer into America from Lagos is a confused,...

PLAY

Niyi Osundare At 60

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Recently, Professor Niyi Osundare, poet, scholar, essayist, humanist and...

Sandra A. Mushi: The Survival of Women is Still at the Mercy of Men

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Sandra A. Mushi is an interior architect, poet and...

Writing: Experience Bakes the Best Bread – Paul T. Liam

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  Once in a while, one comes across people who...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Osy Mizpah Unuevho | Gethsemane

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GETHSEMANE The prayer begins with a fine. I’m made for...

In Her Shoes: Poems by Asante Lucy Mtenje

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Dying She sits on her desk, restless, tapping her fingers. Her...

Marial Awendit | The Guest

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The Guest We do not publish on billboards The tiny bits...

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