Saturday, September 7, 2024

CREATIVE NONFICTION

An Ant hefting her Penance: Non-fiction by Aremu Adams Adebisi

I watched intensely as an ant was hefting her...

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

The shoes on my feet have seen three generations...

The Economy of Loss: Creative non-fiction by Dami Ajayi

There’s been a death in the family. You can...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Nzube Nlebedim: The Newcomer into America is Uncertain

The newcomer into America from Lagos is a confused,...

Ritah Tumushabe | Sacred Threads: A Personal Journey of Faith and Loss

Today, I have decided to retire my rosary. This...

The Sight of the Sound: Instructions for the Slaughter of Small Ruminants and Monogastric Animals

The closed door notwithstanding, the proceedings bore audibly into...

PLAY

Idzia Ahmad: A Meteor, a Vagrant Arab

In many ways, Idzia Ahmad was my friend and...

Abenea Ndago: History Will Forever Remain Literature’s Most Intimate Mistress

Abenea Ndago is the author of several short stories,...

Niyi Osundare At 60

Recently, Professor Niyi Osundare, poet, scholar, essayist, humanist and...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Once There Was a Country: Three Poems by Abigail George

ONCE THERE WAS A COUNTRY I called that country ‘Childhood’. The...

Rice: Poems by Tatenda Murigo

RICE Grains of rice Fall to the floor Like summer’s rain, Tsitsi’s eyes Are...

Kuramo Waters: Poems by Ike Anya

SALUTE TO A MASTER (for Obiora Udechukwu) You who with paint...

RANDOM FLASHBACK

LAST MONTH...