Saturday, September 7, 2024

CREATIVE NONFICTION

Dismas Okombo | Home

for S.O. You still listen to the same Ohangla music...

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

I                                        Childhood; first imprints The bell rings, marking the end...

Sybil Fekurumoh | Tomorrow For My Worth, Today For Children

The audience is witnessing a moment in a support...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Ọ̀ṣúnrèmí Akérédolú | Polygamy and Parkinson’s Disease

It was a very cold February day in Cambridge,...

Lips are Dark for a Reason: Non-fiction by Aremu Adams Adebisi

My lips are dark. Pitch-dark. Black-charcoal dark. Moonless-night dark....

The Economy of Loss: Creative non-fiction by Dami Ajayi

There’s been a death in the family. You can...

PLAY

Prof. Monica Mweseli: Okot P’bitek’s Call Still Relevant to All African Writers

Political turbulence following Idi Amin’s 1971 coup in Uganda...

Victor Ehikhamenor: Confronting an Empty Canvas

My muse is like the shell to its tortoise, we go everywhere together. But she is more active while I am in Nigeria...

Chinedu Ogoke: The West is the Giver and Taker of Literary Life

                              --------------------------------------------------------------- When we talked in September 2003, after the...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Frieda: Haiku by Abigail George

Ted Hughes Weave your poetry – shamanic-wisdom And not by accident...

The Forest of Silence: Poetry by Modou Lamin Age-Almusaf Sowe

THE FOREST OF SILENCE A silent calabash full of milk Abandoned...

Olalekan Daniel Kehinde: Becoming The Man My Father Was

BECOMING THE MAN MY FATHER WAS when mama led me...

RANDOM FLASHBACK

LAST MONTH...