Saturday, September 7, 2024

CREATIVE NONFICTION

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

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I                                        Childhood; first imprints The bell rings, marking the end...

The Sight of the Sound: Instructions for the Slaughter of Small Ruminants and Monogastric Animals

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The closed door notwithstanding, the proceedings bore audibly into...

Prince Ihè | Here, We Sing A Sad Song

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"We only live once. We only die once. How...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Nzube Nlebedim: The Newcomer into America is Uncertain

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The newcomer into America from Lagos is a confused,...

Ritah Tumushabe | Sacred Threads: A Personal Journey of Faith and Loss

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Today, I have decided to retire my rosary. This...

Rumbie Mugadza | No!

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“No” And The Dragon That Could Not Be Slain Your...

PLAY

Sefi Atta: Something Good Comes to Nigerian literature

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Ike Anya speaks with Sefi Atta on her recently...

E B E R E O N W U!

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  As I write this painful piece, his mangled body...

Why I write in the dead of night – Ogaga Ifowodo

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Like most prominent writers, Ogaga Ifowodo started his writing...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Jos O Jos: Poems by Olumide Akinwumi-Oke

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Jos O Jos! (1) Jos, the plains ripple into the...

Victims: Poetry by Paul Oluwafemi David

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VICTIMS The images on my walls are the pages of...

Bespeak of her Wisdom: Poems by I.J. Kalia

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BESPEAK OF HER WISDOM My phone went bleak on her...

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