Saturday, September 7, 2024

CREATIVE NONFICTION

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

The shoes on my feet have seen three generations...

Prince Ihè | Here, We Sing A Sad Song

"We only live once. We only die once. How...

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

I                                        Childhood; first imprints The bell rings, marking the end...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Lips are Dark for a Reason: Non-fiction by Aremu Adams Adebisi

My lips are dark. Pitch-dark. Black-charcoal dark. Moonless-night dark....

Rumbie Mugadza | No!

“No” And The Dragon That Could Not Be Slain Your...

Michelle Chepchumba: When Your Life Means Nothing

It is past midnight. Maybe 1:00 am, maybe 2:00....

PLAY

Akeem Lasisi: Why I Perform My Poems

Akeem Lasisi, poet, journalist, and double winner of the...

I Write Because I Care For People – Uzodinma Iweala

UZODINMA Iweala is the son of Ngozi Okonjo-Iweala, managing...

Abenea Ndago: History Will Forever Remain Literature’s Most Intimate Mistress

Abenea Ndago is the author of several short stories,...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Abdulkareem Abdulkareem: Elegy for Mane

Elegy for Mane For Mane Ara & again, I hear your...

Missing a Thing of Beauty: Poems by Abigail George

Closed Spaces This is life - There are no children on...

Olayioye Paul Bamidele: i gaslight the bark of a baobab tree

i gaslight the bark of a baobab tree my mouth...

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