Saturday, September 7, 2024

CREATIVE NONFICTION

The Sight of the Sound: Instructions for the Slaughter of Small Ruminants and Monogastric Animals

0
The closed door notwithstanding, the proceedings bore audibly into...

Lips are Dark for a Reason: Non-fiction by Aremu Adams Adebisi

0
My lips are dark. Pitch-dark. Black-charcoal dark. Moonless-night dark....

Sybil Fekurumoh | Tomorrow For My Worth, Today For Children

4
The audience is witnessing a moment in a support...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

The Economy of Loss: Creative non-fiction by Dami Ajayi

2
There’s been a death in the family. You can...

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

0
I                                        Childhood; first imprints The bell rings, marking the end...

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

0
The shoes on my feet have seen three generations...

PLAY

Olabiyi Babalola J. Yai: Yoruba Studies Expert and Polymath

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Olabiyi Babalola Yai, linguist, cultural critic, philosopher, Yoruba studies...

Akeem Lasisi: Why I Perform My Poems

1
Akeem Lasisi, poet, journalist, and double winner of the...

I’m doing things that appeal to me – Interview with Hyacinth Obunseh

1
Award winning author, publisher and consultant, Hyacinth Obunseh, who...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Olaseni Kehinde Precious | Nature’s Nakedness

2
Nature’s Nakedness I’m staring at nature’s shaft, between the wind's...

Taiwo Akinyemi | The First Night

0
The First Night The first night she gave,& you took,...

Sodiq Oyekanmi: notebook fragments

26
notebook fragments. a for autumn. the family tree is               ...

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