Saturday, September 7, 2024

CREATIVE NONFICTION

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

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The shoes on my feet have seen three generations...

Nzube Nlebedim: The Newcomer into America is Uncertain

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The newcomer into America from Lagos is a confused,...

Ritah Tumushabe | Sacred Threads: A Personal Journey of Faith and Loss

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Today, I have decided to retire my rosary. This...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Ọ̀ṣúnrèmí Akérédolú | Polygamy and Parkinson’s Disease

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It was a very cold February day in Cambridge,...

Sybil Fekurumoh | Tomorrow For My Worth, Today For Children

4
The audience is witnessing a moment in a support...

Dismas Okombo | Home

2
for S.O. You still listen to the same Ohangla music...

PLAY

My Generation Better Than Those Before Us – Toni Kan Onwordi

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Toni Kan's quill glints like an emerald whenever he...

Kabu Okai-Davies: Expatriate of the Imagination, Emigrant of Dreams

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Sola Osofisan interviews Kabu Okai-Davies, Australia-based Ghanaian poet, playwright,...

Shadreck Chikoti: Speculative fiction is wide in its scope

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Shadreck Chikoti is passionate about the development of writing...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

My Brother, From Another Woman: Poetry by Levi Cheruo Cheptora

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MY BROTHER, FROM ANOTHER WOMAN I saw him again today Heaving...

Joy Abraham: A Party for Fools

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A PARTY FOR FOOLS From the place we stand, the...

Wisdom Adediji: substance of things hoped for

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substance of things hoped for ‘ … is the substance...

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