Saturday, September 7, 2024

CREATIVE NONFICTION

Ọ̀ṣúnrèmí Akérédolú | Polygamy and Parkinson’s Disease

It was a very cold February day in Cambridge,...

Prince Ihè | Here, We Sing A Sad Song

"We only live once. We only die once. How...

The Sight of the Sound: Instructions for the Slaughter of Small Ruminants and Monogastric Animals

The closed door notwithstanding, the proceedings bore audibly into...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Sybil Fekurumoh | Tomorrow For My Worth, Today For Children

The audience is witnessing a moment in a support...

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

I                                        Childhood; first imprints The bell rings, marking the end...

An Ant hefting her Penance: Non-fiction by Aremu Adams Adebisi

I watched intensely as an ant was hefting her...

PLAY

Chijioke Amu-Nnadi: We have authorship, not authority, over what we write

“Art comes to us because we are, essentially, fragile...

Rocha Chimerah: No language is incapable of addressing global issues

Rocha Chimerah received his B. Ed and M. Ed...

The Mystique of Maxim

(for Uzor Maxim Uzoatu, Boroja I, Obi of Ikate,...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

For My Country: Three Poems by Joseph Omoh Ndukwu

OUR COUNTRY'S FORM Our country began to take form Like a...

Insane Moment: Poems by Ssemutooke Joseph Kitaka

Insane Moment Suddenly The song of the fields is a silly...

Incantations: Poems by Clarius Ugwuoha

FAMINE Famine came like a warrior And Plenitude fled The sun rained...

RANDOM FLASHBACK

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