Saturday, September 7, 2024

CREATIVE NONFICTION

The Economy of Loss: Creative non-fiction by Dami Ajayi

There’s been a death in the family. You can...

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

I                                        Childhood; first imprints The bell rings, marking the end...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Michelle Chepchumba: When Your Life Means Nothing

It is past midnight. Maybe 1:00 am, maybe 2:00....

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

The shoes on my feet have seen three generations...

Lips are Dark for a Reason: Non-fiction by Aremu Adams Adebisi

My lips are dark. Pitch-dark. Black-charcoal dark. Moonless-night dark....

PLAY

I’m doing things that appeal to me – Interview with Hyacinth Obunseh

Award winning author, publisher and consultant, Hyacinth Obunseh, who...

Ali Znaidi: A poem is a kind of selfie captured in words

Ali Znaidi is a widely anthologised writer. A Tunisian...

Abubakar Gimba and the Literary Excursions in Niger State

Abubakar Gimba’s death was an expected surprise to everyone...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Idem, Emmanuel: Baptism as Metaphor for Suicide

Baptism as Metaphor for Suicide   THE day my faith decides...

Kunle Okesipe: A Few Things Worth Considering

A FEW THINGS WORTH CONSIDERING The number of its fragments...

Another Sunday with No Flowers: Poetry by Trust Tonji

ANOTHER SUNDAY WITH NO FLOWERS Noise. Shivering woofers. Perfumes. Hurrying....

RANDOM FLASHBACK

LAST MONTH...