Saturday, September 7, 2024

CREATIVE NONFICTION

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

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The shoes on my feet have seen three generations...

Ọ̀ṣúnrèmí Akérédolú | Polygamy and Parkinson’s Disease

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It was a very cold February day in Cambridge,...

Nzube Nlebedim: The Newcomer into America is Uncertain

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The newcomer into America from Lagos is a confused,...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Prince Ihè | Here, We Sing A Sad Song

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"We only live once. We only die once. How...

Dismas Okombo | Home

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for S.O. You still listen to the same Ohangla music...

Ubong Johnson | Let Us All Go

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It’s so cold. My nostrils are clogged. My cheeks...

PLAY

A Daughter’s Burden: Obiageli Ibrahimat Okigbo & the Christopher Okigbo Legacy

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‘’Have you seen Nduka Otiono?’’ ‘’No I haven’t. Am...

Kọ́lá Túbọ̀sún: Renaissance is Badly Needed in African Language Literature

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36-year-old Kọ́lá Túbọ̀sún is a poet, blogger, linguist and...

Nnedi Okorafor: I just have stories to tell…

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Nnedi Okorafor is an important writer, period. She is...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Echezonachukwu Nduka: Transition

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TRANSITION 1. What the old teacher said to me, young philosopher, cannot...

Zama Madinana | lines for tsitsi

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lines for tsitsi when you crossed the limpopo river with a...

Dirge at Dawn: Poems by Senator Ihenyen

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MEMORIES I cry in the rain as memories of you rise in the rainbow painting smiles in the...

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