Saturday, September 7, 2024

CREATIVE NONFICTION

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

I                                        Childhood; first imprints The bell rings, marking the end...

Ọ̀ṣúnrèmí Akérédolú | Polygamy and Parkinson’s Disease

It was a very cold February day in Cambridge,...

Dismas Okombo | Home

for S.O. You still listen to the same Ohangla music...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Sybil Fekurumoh | Tomorrow For My Worth, Today For Children

The audience is witnessing a moment in a support...

Rumbie Mugadza | No!

“No” And The Dragon That Could Not Be Slain Your...

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

The shoes on my feet have seen three generations...

PLAY

Interview with James Murua, Founder of JamesMurua.com

Webmasters, bloggers and editors of literary websites are usually...

Kabu Okai-Davies: Expatriate of the Imagination, Emigrant of Dreams

Sola Osofisan interviews Kabu Okai-Davies, Australia-based Ghanaian poet, playwright,...

The role of any writer is to write – The Tolulope Ogunlesi Interview

TOLULOPE GBENGA OGUNLESI could be counted among the few...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Waiting Tables: Poems by Wesley Macheso

WAITING TABLES We sail across the ocean to sell smiles and...

Pain at Midnight: Poems by Abigail George

Captive So our rift grows Deeper, widens like the curves Of the...

Kehinde Adedeji: I Dream of Peace

I dream of peace Carry me Oh winds of songs Let me...

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