Saturday, September 7, 2024

CREATIVE NONFICTION

Sybil Fekurumoh | Tomorrow For My Worth, Today For Children

The audience is witnessing a moment in a support...

Rumbie Mugadza | No!

“No” And The Dragon That Could Not Be Slain Your...

The Economy of Loss: Creative non-fiction by Dami Ajayi

There’s been a death in the family. You can...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Ọ̀ṣúnrèmí Akérédolú | Polygamy and Parkinson’s Disease

It was a very cold February day in Cambridge,...

An Ant hefting her Penance: Non-fiction by Aremu Adams Adebisi

I watched intensely as an ant was hefting her...

Ritah Tumushabe | Sacred Threads: A Personal Journey of Faith and Loss

Today, I have decided to retire my rosary. This...

PLAY

Shadreck Chikoti: Speculative fiction is wide in its scope

Shadreck Chikoti is passionate about the development of writing...

Ikeogu Oke: Meaning and Felicity of Expression in Perfect Fusion

Uche Peter Umez interviews Ikeogu Oke, a writer, poet and journalist....

E.E. Sule: A Burden to Get it Right

The problems with my earlier books are not really my problems, they are Nigeria’s problems! Almost all books published in Nigeria have similar problems. So, instead of running away, so to say, from our problem by not listing our poorly produced books in Nigeria, we should face the problems!

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Abigail George: The Owl House

THE OWL HOUSE (Three untitled poems in one untitled poem.) Perhaps...

Dried Up Places: Poetry by Ebuka Evans

dried up places i don't know who taught women how...

When I Go Into the Wilderness: Poems by Abigail George

WHEN I GO INTO THE WILDERNESS Gravid belly starless night I...

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