Saturday, September 7, 2024

CREATIVE NONFICTION

Lips are Dark for a Reason: Non-fiction by Aremu Adams Adebisi

My lips are dark. Pitch-dark. Black-charcoal dark. Moonless-night dark....

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

I                                        Childhood; first imprints The bell rings, marking the end...

The Sight of the Sound: Instructions for the Slaughter of Small Ruminants and Monogastric Animals

The closed door notwithstanding, the proceedings bore audibly into...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

Rumbie Mugadza | No!

“No” And The Dragon That Could Not Be Slain Your...

Sybil Fekurumoh | Tomorrow For My Worth, Today For Children

The audience is witnessing a moment in a support...

An Ant hefting her Penance: Non-fiction by Aremu Adams Adebisi

I watched intensely as an ant was hefting her...

PLAY

Sefi Atta: Something Good Comes to Nigerian literature

Ike Anya speaks with Sefi Atta on her recently...

“I’d love to see more Africans writing about Africa” – Segun Afolabi

Segun Afolabi is the winner of the 2005 Caine...

Sandra A. Mushi: The Survival of Women is Still at the Mercy of Men

Sandra A. Mushi is an interior architect, poet and...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Adura Ojo: Home

HOME {i} I left the bush with no trees / scattered...

Death Kit: Experimental Haiku by Abigail George

  Haiku for Jean Rhys The photograph in-the-red-box. Like the juices of...

Mind Anarchy: Poems by Victor Ehikhamenor

FULL MOON No sign of rain As the night is accentuated By...

RANDOM FLASHBACK

LAST MONTH...