Saturday, September 7, 2024

CREATIVE NONFICTION

Nzube Nlebedim: The Newcomer into America is Uncertain

0
The newcomer into America from Lagos is a confused,...

Michelle Chepchumba: When Your Life Means Nothing

2
It is past midnight. Maybe 1:00 am, maybe 2:00....

Aadhiya Tulsi | Dichotomy, Diaspora, Dissonance

0
I                                        Childhood; first imprints The bell rings, marking the end...

Lawrence Winkler | Pawns on the Nile

‘He who rides the sea of the Nile must...

The Economy of Loss: Creative non-fiction by Dami Ajayi

2
There’s been a death in the family. You can...

The Sight of the Sound: Instructions for the Slaughter of Small Ruminants and Monogastric Animals

0
The closed door notwithstanding, the proceedings bore audibly into...

How to Dispose of Good Shoes in Africa: Non-fiction by Ebuka Prince Okoroafor

0
The shoes on my feet have seen three generations...

PLAY

“I’d love to see more Africans writing about Africa” – Segun Afolabi

4
Segun Afolabi is the winner of the 2005 Caine...

Reading Culture and the Government in Kenya: A Publisher’s View

1
Stakeholders in the book industry are agreed that Kenya...

Pius Adesanmi: On A Re-Branding Mission Overseas

2
A young Nigerian lecturer in a Canadian university explains...

Kosoluchi Agboanike | PALM

A PLAY PERSONS: OLAOHA, OBINNE, IKEDIKE, NWELUMMA, ANIMOKE, EZEMMUO, VILLAGERS. I Night...

Eniola Abdulroqeeb Arówólò: upon reading a new headline of grief

3
upon reading a new headline of grief: 'nigeria is...

I am Bound to this Land by Blood: Poems by Olu Oguibe

2
Song of Sorrow for rosa diez si només, però, aquesta llum parada...

Emmanuel Idem: This is What you Could be

1
I am a patient drummer. / Caressing the mystic...

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