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Victor Obukata | Girlhood

Girlhood Definition

To be a girl is to chisel your body,
& to be careful before it becomes an amoeba
because mother calls me a rebirth of her mother’s death

The other night, mother carved three figurines on my palms,
She called it my family tree & named the smallest after me.
Now, I understand better as she was an artifact
of father’s unbridled fist each night.
& the only inheritance I could have was the lesson
of pain being grafted into us, till it fits our physique.

To be a girl, is me dissecting my heart
into four unequal fragments.
1, a residue for my father’s disgust.
2, an inheritance of my mother’s pain.
3, for the man I loved, but it’s a taboo to love me back.
4, a communion with the dirges of women in my genealogy, who were songbirds who seemed to stray from beauty & now finding the route back there.

—–

Watermark

My body is an inheritance/ watermarked with the names of the men of my clan/ whose boyhood rights were translated into manhood// & boys like me count our days with a prayer for a miracle/ on some other days/ our tears are clothed with a plea for mercy/ if we came as offences// A miracle here/ is that may the weight on our skins not suppress us.

—–

Intercession

I remould my country as a prayer:

On my tongue is a million people floating,
& like my neighbour’s children, thousands drowning,
Resaying, I mean, finding answers on how to survive a sea.
& their naivety that humans have no gills is not forgiven here.
I tell you, to love them,
is to sympathize with them,
to sympathize with them is to have their confusion
attracted to you, like a magnet.
Till you become a confused lover,
finding the help that slipped off your hands.
& like them, it will drown.

I fashion my tongue in prayer to God.
& I weigh it, by the arms (without gills) it outstretches.

—–

Poetry (c) Victor Obukata
Image: Dall-E remixed

Victor Obukata
Victor Obukata
Victor Obukata is a Nigerian writer of Urhobo descent. He currently studies law at the Enugu State University of Science and Technology. You find his works on the AfterPast Review, Kalahari Review, Ta Adesa, Arts Lounge, and elsewhere.

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